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When You Collage Decisive Moments, It Becomes a Picture of Another World

When You Collage Decisive Moments, It Becomes a Picture of Another World
CEO Blog
I went to see Fujita.
It was an absolutely magnificent exhibition, extremely worth seeing.
I entered the Tokyo Station Gallery in the morning.
The timing was just right, so I was able to leisurely savor Fujita's world without being too concerned about other visitors' movements.
He, Léonard Fujita, was of course a painter who took the world by storm as the darling of the École de Paris, but at the same time, he was also an excellent photographer with an eye like Henri Cartier-Bresson.
That's why this exhibition is titled "Fujita Tsuguharu: Painting and Photography."
Of course, rather than taking photographs as a photographer, he seemed to accumulate shots of painting subjects, people, and landscapes, which he then frequently used as compositional motifs for his subsequent paintings.
The way these snapshot photographs and the completed paintings were presented was exquisite, and I thoroughly enjoyed the brilliance of the curation.
Nevertheless, his eye for capturing that instant was no different from Bresson's, and I think if you mixed one of Fujita's photographs among seven lined-up Bresson photos, it would be quite difficult to notice.
You could see his branding power in self-producing and creating "Fujita of Paris," and there were scenes that revealed his true face as the years progressed, allowing me to enjoy two hours that felt like running alongside the life of Fujita the human being.
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